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Put a Fork in It

Well, the Book of Voices is done, or at least at a point where I can feel comfortable submitting it around. I did write the eight interludes, which pull things together more effectively, and make points in the 49 stories reinforce one another.

This also entailed a bit of rewriting of the stories themselves, which also allowed for some debugging. Father Richard had pointed out, for example, that while I had Adam discover language upon leaving Eden, Genesis has him naming the animals while still in the Garden. That was a relatively easy fix.

The themes that have developed in the book seem clearer now, though I wasn’t as aware of how they were evolving over the period (almost exactly three years) during which I’d been writing it. In a standing-on-one-foot phrasing, it appears to focus on the magical force of storytelling on history, and on the power of compassion. But others, no doubt, will see things in the book that I didn’t realize were there. (My ultimate ego-dream: to see someone do a dissertation on my work.)

The next move is to start submitting it to agents and publishers. That looks trickier that it had looked earlier. While I had two agents in mind, one has apparently stopped handling fiction, and the other won’t look at unsolicited queries. It looks like the game of connections has slid down one level, so getting the proverbial foot in the door still seems to require already knowing the right people. Of course, it may be that I already know the right people but don’t realize it; while I’m good at hooking other people up with resources, I’m not especially strong at finding them for myself.

(If any of you are interested in seeing the manuscript, let me know, and I’ll send you a link to a PDF file.)

With that done, the next project that has popped to the top of my priority stack is the programming and formatting to create a print version of a friend’s 2009 blog. This is the third year in which I’m doing this, and it would seem to be a straightforward task — except that the blog host changes the storage formats every year, so I have to recode the Perl scripts each time. But I’m complsive about documenting my code, so the recoding gets progressively easier.

After that, I want to look at doing some more music, creating a podcast series of The Book of Voices (for which I’ll be looking for readers/actors), and completing an abstract video project (for which I’ll need some audio processing help).

And in the midst of all that, there’s the ongoing struggle to make ends meet, tied into the accelerating madness at work (where those of us who are dedicated to running a bookstore well are challenged by higher-ups who, while we have to hope that they have the best interests of the company at heart, still appear to be in the early stages of discovering that customers have a distinctly different type of engagement with books than they do with, say, staplers and bananas). And I remain exiled in the isolation of the Cleveland tundra, with its frozen suburban nothingscapes and utter lack of any visible grassroots activity in community and the arts. My sole connection to people seems to be through the store. Other than that, my social life consists of such things as having pretty much the identical conversation with the same waitress each week when the local pub has its Monday $5 Burger ‘n’ Beer (and I cherish that moment each week).

But now to sleep, then to wake and to see how the chulent I’m cooking overnight turns out. I’ve found out, by the way, that the leftovers make excellent burritos.

Crowdsourcing the Subtitle

Things have been both insanely busy and quiet here in frigid Cleveland.

I’ve moved into a beautiful, relatively tiny new apartment, a few blocks from the Cedar-Lee Theater and from Phoenix Coffee on Lee. It’s a one bedroom space on the third floor of… um… what would be called a duplex if there weren’t a third floor, but I’ve never heard one called a triplex. It’s big enough for one person — except that I still have a basement crammed with CDs and books in California and a garage full of books in New Jersey.

I’m still at the bookstore, and now a supervisor there. I’d avoided getting promoted for as long as I could, but our staff had gotten cut back so far that the current supervisors couldn’t take lunch breaks, since we always need to have at least one supervisor or manager on the floor.

So I took the position. I’m learning to fit in. It’s interesting to see how much of what I encounter boils down to moral quandaries, balancing what’s best for the customers against what’s best for the company, and deciding what to do when a bookseller and a customer have very different views of what just happened in a transaction.

The pay is still terrible, but I’ve managed to trim down to a fairly frugal lifestyle. Part of it hinges around what might seem to be an extravagance: I’ve gotten an iPhone.

While maintaining a iPhone might seem expensive, it’s balanced by other savings. I have chosen to have neither a landline phone nor a Net connection, other than the iPhone, at home. I’ve also curtailed my hanging out in WiFi cafés (a habit that was proving both expensive and caloric). My previous phone had died just as my AT&T contract was up for renewal, so when I spotted a refurbished 8GB iPhone 3G at att.com, the die was cast. I’ll probably post more about the phone later; suffice it to say that using it is giving me repeated jolts of “Holy frak –I’m in THE FUTURE!”

On the creative front: I’ve promised myself that I’m going to finish writing The Book of Voices by the end of the year. I had thought that it was finished last spring, then decided that it needed bridging passages, telling more of Elisheva’s story, at key points along the way. Then I decided that it didn’t need them. Then I decided that I couldn’t decide. Then I realized that the worst case would be to leave the bridging sections unfinished, so I’ve decided to finish them. Then I’ll get into the messy business of trying to find a agent, publisher, and all that, unless something better comes along.

I’ve decided to publish 19th Nervous Breakdown (aka The Book of the Blog) myself. In doing so, though, I’m wondering if the subtitle could be better. Right now, it is “Adventures on the Path of the Bookseller.” I’ve realized, though, that the overwhelming majority of the pieces in the book deal with selling music, rather than books. I’ve thought of expanding the subtitle to “Adventures on the Path of the Book and Music Seller,” but have been told that it is both cumbersome and “lacking in zip.”

So I’m opening the question to the Group Mind; What might a better subtitle be?

And now off to sleep, in preparation for another day of work. (Ah, December retail… as much fun as a barrel of tiny rabid pandas. Only colder.)

[Sent from my iPhone ;-) ]

Video: Reading, 15 August 2009. Cleveland Heights, OH

Here’s a complete video of my performance this past Saturday night, courtesy of archive.org. Texts include “Lead Me In,” excerpts from “The Book of Voices” and “Shekhinah: the Presence,” “Psalm 183,” “Decoy (for Miles Davis),” and “Air Lines.” All of the texts are available here at www.josephzitt.com.

Enjoy!

(For some reason, this still frame looks maddeningly pixel-ly. But the video is somewhat better.)

Happiness at Work

A smiley by Pumbaa, drawn using a text editor.

Image via Wikipedia

From a Fortune article on happiness and success at work:

“The two most important predictors of success are, first, whether we believe our behavior matters, that is, whether we think we can make a real difference — and many people lose that belief in hard times, because so much is out of their control,” [Shawn] Achor says. “And second, how do you manage stress? Does it paralyze you, or does it move you forward to action?”

Yup. I first grokked this watching people respond to the 9/11 attacks. People will do amazing things if they think that what they’re doing matters. If they feel that they’re out of the loop, given unclear or implausible goals, or going to find their efforts negated by the next decree from above… not so much.

Workers will bust our butts if we can tell — not just from metrics but from interaction and experience — that grateful customers are happier because of what we do, or if we are recognized and rewarded by management for our efforts. (And the reward needs to be more upbeat than “Congratulations! We’re not firing you today!”)

I have and have had managers who will, in passing, note things that we have done well, and thank us for doing so. When done sincerely, that is strikingly effective in getting us to keep working hard and well.

Anyone interested in encouraging flawless execution of projects needs to take this into account.

(Thanks to Judy Rosen on Facebook for the original link.)

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The Century of the Physical Musical Object

As in so many stores, our CD selection now takes up less space than before. The entire industry has been reducing in-store holdings. But with the moving of the furniture to open up space for, among other things, an increased teen book and manga area, customers have been asking a lot more questions.

One thing to which customers have responded surprisingly well is being told frankly how and why the CD sector has tanked. No, we don’t have the selection that we once did, but *nobody* who deals strictly in new CDs has that selection anymore. (I would love to know of exceptions.)

Everyone thinks that the issue is illegal downloads, but it’s more that the inefficiencies of the system have caught up with the market. Looking at it from any point of view but that of the customer, when you compare shipping a couple of copies of each CD to a thousand stores to shipping a lot of them to a few dozen warehouses (if that many) and fulfilling orders from there, it’s no contest. (And it especially pains me to say that, as a member of the flipping-through-acres-of-vinyl generation.)

And legal downloads are growing, especially for classical music (my focus area) where more and more companies are making avaiable extremely high-quality MP3s and lossless FLAC files.

A surprising number of customers do come back, utilizing us in the role that we must learn if we are to survive: we’re the folks who can find the stuff that they want based on their vague criteria, and can navigate the ordering systems for them.

But, inevitably, the historical moment (corresponding roughly to the 20th Century) in which music was made available to people by having them come to particular buildings to buy physical objects that contained recordings is ending. The only question that remains is how we cope with the change.

New Book of Voices Post: Sarah

Well, I thought the book was complete. But in going through it again, strengthening some threads of plot, etc, I discovered some bits that had to be present, for dramatic and structural reasons.

The first of these is a new entry for Sarah.

This one may seem a bit more enigmatic than most, since it mostly sets things up to work out further on in the book. But I hope it works in at least some ways on its own.

The next will probably be from the period of the wandering in the desert, sometime between the giving of the Torah and the death of Miriam. But I don’t quite know what the story is yet or who the viewpoint character will be. I hope to post it in the next couple of weeks.

And the story of Elisheva is being expanded and spread out into nine segments distributed through the book. Writing those actually triggered the writing of the other new segments: I had to figure out why she was left by herself with everyone else gone. This suggested that the school in which she lived was ending… which led to the question of why it was ending, and thus why, how, and when it began… which led to the question of how events there corresponded to the outside world… and so on. I may not end up overtly answering all these questions in this book, but I had to figure them out for myself to stay consistent. (As I’ve said, though this is religious fantasy, I’m approaching it as if it were rigorous science fiction.)

And this means that enough ideas are piling up for another book. But since I get annoyed when books are stretched into series for little apparent reason, I’ll only write it if the need to do so becomes urgent enough, I still have to finish this one first, and go through the painful slog toward getting it published. Whee.

The Next Step: Standing Still

Sorry I haven’t blogged in a while. Lots of things happening, including deciding on things that won’t happen. The biggest thing: I’m staying in Cleveland. This is good.

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The Book of Voices: Completed

I’ve finished writing the opening and closing segments of The Book of Voices.

Each is from the point of view of a non-Biblical character, Elisheva. I hope that they tie together threads from the stories between them. The opening is quite short. The closing is, admittedly, very long (about 6500 words).

I will, no doubt, be incorporating edits and rewrites as I prepare the book for eventual publication, however that may happen. (Does anyone have connections to an appropriate agent or publisher?) I already have heavily marked up a hardcopy of most of the book. But the website will stand as the first-draft versions, at least for now.

So go and read! I welcome any comments.

Taking the Next Step

Since (and to a significant extent, because of) my last post, things seem to be coming together for a return to San Francisco.

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Looking For the Next Step

In a nutshell: I need to get back to San Francisco. I don’t know how to do it.

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