{"id":3,"date":"2009-02-28T22:11:53","date_gmt":"2009-03-01T03:11:53","guid":{"rendered":"http:\/\/www.josephzitt.com\/home\/?page_id=3"},"modified":"2016-01-24T17:20:06","modified_gmt":"2016-01-24T22:20:06","slug":"cds","status":"publish","type":"page","link":"http:\/\/www.josephzitt.com\/home\/cds\/","title":{"rendered":"CDs"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n
\"Comma:<\/a><\/td>\nComma: (voices)<\/em><\/a><\/strong>
\nTrio recordings of vocal works by John Cage, Pauline Oliveros, Matthew Ross Davis, Thomas Bickley, and Joseph Zitt.<\/td>\n<\/tr>\n
\"Jerusaklyn\"<\/a><\/td>\nJerusaklyn<\/em><\/a><\/strong>
\nInstrumental solo electronic works (synthesizer, guitar, bass) recorded in Brooklyn, NY, in the 1980s, incorporating field recordings made in Jerusalem.<\/td>\n<\/tr>\n
\"cd-shek-125\"<\/a><\/td>\nShekhinah: the Presence<\/em><\/strong><\/a><\/strong>
\nSelections from the score of the 1992 dance\/theatre work Shekhinah: The Presence, as first performed in Austin, Texas. With the exception of environmental sounds captured in \u201cJerusalem Circuit,\u201d the sounds consist entirely of human voices, sampled and processed.<\/td>\n<\/tr>\n
\"Gentle<\/a><\/td>\nGentle Entropy<\/em><\/strong><\/a><\/strong>
\nThe soundtrack to an ambient video dance work. Four tracks of voice, recorded independently, sustaining a single long tone with timbral variations for 50 minutes.<\/td>\n<\/tr>\n
\"Zitt\/Matis:<\/a><\/td>\nJoseph Zitt \/ Jonathan Matis: Even the Widest Aardvark Outdreams the Gnu<\/em><\/strong><\/a><\/strong>
\nRitual chant and storytelling from another planet. Jonathan Matis\u2019s guitar and preparations evoke the drones and whispers of electronic beings as Joseph Zitt\u2019s vocals sing and speak in unknown languages.<\/td>\n<\/tr>\n
\"Oh<\/a><\/td>\nOh Come Ye Dispassionate<\/em><\/strong><\/a><\/strong>
\nNine sine waves in all possible combinations, creating a resonant rosary of non-metric pulses and uncommon harmonies.<\/td>\n<\/tr>\n
\"Gray<\/a><\/td>\nGray Code: Live in Philadelphia 2000<\/em><\/strong><\/a><\/strong>
\nQuintet performances recorded during the Frankford Arts Festival (May 2000) and the Philadelphia Fringe Festival (September 2000).
\n\u201cMorton Feldman meets the Art Ensemble of Chicago.\u201d \u2014 Denman Maroney<\/td>\n<\/tr>\n
\"Collaborations\"<\/a><\/td>\nCollaborations<\/em><\/strong><\/a><\/strong>
\nLive improvisations performed with bassists F. Vattel Cherry and Jane Wang, with percussionist Brian Fending, and with guitarist Jonathan Matis, as well as studio collaborations with Thomas Bickley and Craque.<\/td>\n<\/tr>\n
\"Bickley\/Zitt:<\/a><\/td>\nThomas Bickley \/ Joseph Zitt: All Souls<\/em><\/a><\/strong>
\nA long-form free improvisation by Thomas Bickley and Joseph Zitt, created on the spot with intertwining voices exploring the architecture and objects in a resonant room and its surroundings.<\/td>\n<\/tr>\n
\"setar-zitt-125\"<\/a><\/td>\nJoseph Zitt \/ Katherine Setar: Eight Fractured Folk Songs<\/em><\/strong><\/a>
\nA live performance of unusual arrangements of traditional songs from around the world, created with composer pianist Katherine Setar.<\/td>\n<\/tr>\n
\"rats,<\/a><\/td>\nrats, maybe ghosts<\/em><\/strong><\/a>
\nAn improvisation for voice, whistling, and found objects, recorded on the Artship in Oakland, California.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Comma: (voices) Trio recordings of vocal works by John Cage, Pauline Oliveros, Matthew Ross Davis, Thomas Bickley, and Joseph Zitt. Jerusaklyn Instrumental solo electronic works (synthesizer, guitar, bass) recorded in Brooklyn, NY, in the 1980s, incorporating field recordings made in Jerusalem. Shekhinah: the Presence Selections from the score of the 1992 dance\/theatre work Shekhinah: The … Continue reading “CDs”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.josephzitt.com\/home\/wp-json\/wp\/v2\/pages\/3","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.josephzitt.com\/home\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.josephzitt.com\/home\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.josephzitt.com\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.josephzitt.com\/home\/wp-json\/wp\/v2\/comments?post=3"}],"version-history":[{"count":28,"href":"http:\/\/www.josephzitt.com\/home\/wp-json\/wp\/v2\/pages\/3\/revisions"}],"predecessor-version":[{"id":632,"href":"http:\/\/www.josephzitt.com\/home\/wp-json\/wp\/v2\/pages\/3\/revisions\/632"}],"wp:attachment":[{"href":"http:\/\/www.josephzitt.com\/home\/wp-json\/wp\/v2\/media?parent=3"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}